Marvin Gaye’s ‘What’s Going On’ Redefines Protest Music and Soulful Storytelling in 1971
When Marvin Gaye released What’s Going On in 1971, he didn’t just deliver another hit—he shifted the emotional and cultural direction of soul music. Moving away from Motown’s polished love songs, Gaye introduced something deeper, driven by pain, reflection, and urgency. The track quickly climbed to No. 2 on the Billboard Hot 100 and topped the R&B charts, but its real impact went far beyond numbers.
Inspired in part by Renaldo ‘Obie’ Benson after witnessing social unrest, the song became a plea for understanding in a fractured America. Gaye layered his vocals to create a haunting, almost conversational tone, while subtle jazz influences and orchestration added emotional weight. Even Berry Gordy initially resisted its release, fearing controversy—but Gaye refused to back down.
“Mother, mother, there’s too many of you crying.”
That single line transformed the song into something timeless—a question that still echoes across generations.
As the song gained momentum, it opened the door to a new era of “conscious soul,” influencing artists like Stevie Wonder and Curtis Mayfield. It also gave Gaye the creative freedom to craft the full What’s Going On album, now widely considered one of the greatest records ever made.
The song’s emotional core was deeply personal. Still grieving the loss of Tammi Terrell and shaken by the Vietnam War era, Gaye poured his soul into every note. What emerged wasn’t loud protest—it was quiet heartbreak.
This wasn’t a protest that shouted—it was one that wept.
Decades later, its influence continues to ripple through artists like Lauryn Hill and Kendrick Lamar. Though Gaye’s life ended tragically, the song endures as a powerful reminder that sometimes the most important thing we can do is ask the question—and truly listen.
1 minute readThe 1987 Soul Cover That Turned Bruce Willis Into a Billboard Hitmaker
“Respect Yourself”: The 1987 Soul Cover That Turned Bruce Willis Into a Billboard Hitmaker
At the height of Moonlighting, Bruce Willis recorded a Pointer Sisters-assisted remake of the Staple Singers classic for Motown—and unexpectedly carried it into the U.S. Top 5.
Bruce Willis performs the 1987 version, with June Pointer of the Pointer Sisters contributing featured vocals. The track appeared on Willis’s Motown debut album The Return of Bruno.
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Eddie Kendricks’ Dreamlike Farewell Masterpiece with The Temptations
“Just My Imagination”: Eddie Kendricks’ Dreamlike Farewell Masterpiece with The Temptations
Released in 1971, the Norman Whitfield–Barrett Strong ballad gave The Temptations another No. 1 pop hit while becoming one of Eddie Kendricks’ final recordings as a member of the group.
The Temptations perform “Just My Imagination (Running Away with Me),” with Eddie Kendricks singing the principal lead and Paul Williams contributing an important second lead passage. Motown’s Funk Brothers provide the instrumental foundation, with orchestration arranged by Paul Riser.
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The 1964 Motown Classic That Gave The Temptations Their First Pop No. 1
“My Girl”: The 1964 Motown Classic That Gave The Temptations Their First Pop No. 1
Written and produced by Smokey Robinson and Ronald White, “My Girl” placed David Ruffin’s unforgettable lead voice at the center of one of Motown’s most enduring recordings.
The Temptations perform “My Girl,” with David Ruffin on lead vocal. Eddie Kendricks, Melvin Franklin, Paul Williams and Otis Williams complete the classic vocal lineup, while Motown’s Funk Brothers provide the instrumental foundation.
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The 1984 Hit That Made Ali-Ollie Woodson a Defining Later Voice of The Temptations
“Treat Her Like a Lady”: The 1984 Hit That Made Ali-Ollie Woodson a Defining Later Voice of The Temptations
Co-written and led by Ali-Ollie Woodson, the single gave The Temptations one of their strongest later-era hits and a fresh 1980s identity.
The Temptations perform “Treat Her Like a Lady,” with Ali-Ollie Woodson delivering the commanding lead vocal.
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The Heartbreak Ballad That Helped Make Ricky Van Shelton a Country Star
“Somebody Lied”: The Heartbreak Ballad That Helped Make Ricky Van Shelton a Country Star
Traditional Country | Neo-Traditional Country | 1987 | Song Story
In 1987, country music was rediscovering the power of traditional voices.
Among the artists leading that movement was Ricky Van Shelton, a Virginia-born singer whose deep, clean country delivery sounded connected to an earlier Nashville era.
Then came “Somebody Lied.”
A song about a man pretending he has recovered from a breakup — until his former lover hears otherwise — it became Shelton’s first No. 1 country hit and helped turn a promising newcomer into one of Nashville’s fastest-rising stars.
“Somebody Lied” is performed by Ricky Van Shelton.
The song was written by Joe Chambers and Larry Jenkins and appeared on Shelton’s debut Columbia album, Wild-Eyed Dream.
That album introduced Shelton as part of the neo-traditional country movement of the late 1980s, when singers with stronger ties to honky-tonk and classic-country traditions were finding a new mainstream audience.
“Somebody Lied” proved that Shelton had both the voice and the material to compete at the highest level.
Listen to “Somebody Lied”
Hank Williams’ Posthumous No. 1 That Became a Country Standard
“Your Cheatin’ Heart”: Hank Williams’ Posthumous No. 1 That Became a Country Standard
Recorded in 1952 and released after Hank Williams’ death, this devastating song of betrayal became one of the defining compositions in country music.
Hank Williams wrote and performed “Your Cheatin’ Heart,” backed by the Drifting Cowboys. Fred Rose produced the MGM recording.
